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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2147
Winterauktionen 20.–21.11.2020
Miró, Joan and Jacques Dupin
1893 Barcelona - 1983 Palma de Mallorca respectively 1927 Privas - 2012 Paris.
«L'ISSUE DÉROBÉE».
1974. Portfolio consisting of eleven drypoints on Arches wove paper (watermark), nine of them with aquatint in colours, embossing and verso monochrome etchings, one aquatint in colours as frontispiece and one monochrome etching on the cover. With poems by Jacques Dupin. Colophon signed by artist and author. Colophon numbered «89» in the print. Loose double sheets in original paper wrappers and linen box.
H circa 33, W circa 50,5 cm (sheets),
H 35,5,
Work from an edition of 150 copies (total circulation of 220 copies). Published by Maeght Éditeur, Paris. Etchings printed by Arte Adrien Maeght, Paris. Texts set and printed by Fequet et Baudier, Paris.
«L'ISSUE DÉROBÉE» is one of Miró's most beautiful artist's books. A broad variation of eleven etchings together with thirteen poems by the writer and art historian Jacques Dupin creates a harmonious unity.
Provenance: private collection Denzlingen.
Catalogue raisonné: Cramer 187; Dupin 687-706. 
Miró, Joan und Jacques Dupin
1893 Barcelona - 1983 Palma de Mallorca bzw. 1927 Privas - 2012 Paris.
«L'ISSUE DÉROBÉE».
1974. Portfolio bestehend aus elf Kaltnadelradierungen auf Velin von Arches (Wasserzeichen), davon neun mit Farbaquatinta, Prägedruck und verso einfarbiger Radierung, eine Farbaquatinta als Frontispiz sowie eine einfarbige Radierung auf dem Umschlag. Mit Gedichten von Jacques Dupin. Kolophon von Künstler und Verfasser sign. Kolophon «89» num. im Druck. Lose Doppelblätter in Originalumschlag und -leinenkassette.
H. ca.
H. 35,5,
Werk aus einer Auflage von 150 Exemplaren, die in einer Gesamtauflage von 220 erschien. Herausgegeben von Maeght Éditeur, Paris. Radierungen gedruckt bei Arte Adrien Maeght, Paris. Texte gesetzt und gedruckt bei Fequet et Baudier, Paris.
«L'ISSUE DÉROBÉE» zählt zu Mirós schönsten Malerbüchern, in dem eine vielfältige Variation von elf Radierungen mit dreizehn Gedichten des Schriftstellers und Kunstwissenschaftlers Jacques Dupin ein harmonisches Ganzes schaffen.
Provenienz: Privatsammlung Denzlingen.
Werkverzeichnis: Cramer 187; Dupin 687-706.